dpreview News

Award-winning photographer Dan Chung explains why he thinks there's no future for traditional photojournalism. As a staff photographer for the Guardian and Reuters, Dan has been touring the world's trouble-spots for more than a decade, supplying images to newspapers and websites all over the globe. But although he made his name as a stills photographer, he's been shooting increasing amounts of video both for the web and for TV. We asked him why.

Kodak will stop making digital cameras within the next few months. The company, currently in bankruptcy protection, will also stop making pocket video cameras and photo frames as a cost-cutting measure. Instead it is looking to license its name to other manufacturers who wish to sell cameras under the Kodak brand. Closing the business will cost around $30m, mainly in the cost of laying-off workers, but will save around $100m per year in running costs. All product warranties will be honored.

Fujifilm has released the promised firmware update for its X10 enthusiast compact that aims to reduce the 'white orb' blooming effect that users have complained about. The firmware claims only to reduce, not eliminate, the problem that we'll look at in our forthcoming review. The latest firmware adds a series of extra functions and improves behavior of some existing ones. This includes adding face tracking AF to both stills and video mode and preventing the ISO and dynamic range settings changing when you switch between exposure modes. The update also enables the RAW button to be reconfigured as a function button.

Sony has confirmed it will be making a full-frame replacement for its flagship A900 DSLR. No further details were given during a round-table discussion at the CP+ show in Japan, but we find it hard to believe the result will step away from the SLT technology the company has invested so heavily in. The company has also finally announced the A-mount 500mm F4 lens that it has been showing in various states of preparedness since PMA 2007 will be available from late March.

Ricoh has announced that its Pentax Ricoh Imaging (PRI) business unit will take full control of the design, development and sales of the company's cameras, worldwide. PRI was created when Ricoh bought Pentax and is the business that has been responsible for the design, manufacturing and sales of Pentax cameras. It will now absorb the consumer businesses of Ricoh's Personal Multimedia Product Company, which was responsible for the design, manufacture and sale of Ricoh cameras. The change will take effect from April 1st 2012.

Sony has said it will have 15 lenses ready for the NEX system by the end of 2013. It made the annoucement of an expanded E-mount roadmap at the start of the CP+ trade show in Yokohama, Japan. The roadmap includes a variety of zooms and prime lenses, including a high-end standard zoom with Sony's premium 'G' branding. There will also be a pancake prime and a mid-telephoto prime lens some time during 2013.

Sigma has totally reinvented its DP series of large sensor compacts with the DP1 Merrill  and DP2 Merrill. The DP Merrill models are named after Dick Merrill, inventor of the Foveon sensor and include the most recent version of his technology - the 15x3MP APS-C sensor first seen in Sigma's SD1. Because the Merrill cameras feature full APS-C sensors, they also feature totally redesigned lenses, with the DP1M including a 19mm F2.8 lens to offer a 28mm equivalent field of view and the DP2M having a 30mm F2.8 lens to give a 45mm equivalent field-of-view.

Sigma's new CEO, Kazuto Yamaki has announced the re-branding and re-pricing of the company's flagship camera. The SD1 DSLR will now be know as the SD1 Merrill, in honor of Dick Merrill, inventor of the Foveon sensor technology on which it is based. The price will also be revised, falling to what should be a street price of around $2,299, which Yamaki attributes to work conducted to reduce production costs of the sensor. Despite these changes, his letter promises the performance and characteristics of the sensor have not changed. To avoid disappointing existing SD1 customers, Sigma will offer a support program with 'points' that can be exchanged for Sigma products.

Cosina has announced the Voigtländer Nokton 17.5mm F0.95 manual focus prime lens for the Micro Four Thirds system. The lens gives a 35mm equivalent field-of-view on the system and has been designed with silent, stepless aperture control for videography. The lens offers a wider-angle alternative to the company's Nokton 25mm F0.95. The Japanese price translates as around $1500. (via DCWatch)

Alongside its E-M5 enthusiast-class mirrorless camera, Olympus has launched the M.Zuiko Digital ED 75mm F1.8 and M.Zuiko Digital 60mm F2.8 Macro lens to its Micro Four Thirds lineup. It's also announced the FL-600R the latest in its range of wireless-compatible flashguns and its first to feature an LED continuous lamp for video work. The 75mm lens is a higher-end portrait lens than the existing 45mm F1.8 we rather like, and features the same solid build-quality as the premium 12mm F2.0. Meanwhile the 60mm Macro offers true 1:1 magnification and is weather-sealed to match the E-M5.

Olympus has updated its rugged offerings with the TG-820 iHS. It's based on a 12MP back-lit CMOS sensor, which allows it to keep up with the recent trend of Full HD-capable underwater cameras. The back-lit sensor has prompted the company to apply its 'iHS' branding, indicating 'Intelligent High-Sensitivity and High Speed' capabilities.

The E-M5 is the first of Olympus' OM-D range of Micro Four Thirds cameras and is styled to look like the its classic OM series SLRs. We've had a chance to use one of the most rumored and speculated-about cameras of recent years and have prepared a full, hands-on preview. We take a look at the camera's features and explain its levels of customization. Click here to find out more about what goes on behind the E-M5's pretty exterior.

Olympus has launched the SZ-31MR iHS, a 24x superzoom featuring the company's iHS intelligent high-sensitivity / high-speed technology. This stems from its use of a 16MP back-lit CMOS sensor that allows high-speed capture and 1080p Full HD video capture. The camera features a 25-600mm equivalent zoom lens and twin TruePic V processors and a high-res 920k dot touchscreen.

Olympus has finally announced the long-rumored E-M5, the first of its OM-D range of Micro Four Thirds cameras. The E-M5 is built around a 16MP sensor and features the company's latest 5-axis image stabilization system that works for both stills and movies. It can shoot 1080i60 movies in MOV format (h.264 compression) and includes a 1.44M dot EVF in its weather-sealed magnesium alloy body.

Pentax has beefed-up its compact camera lineup with updated versions of its rugged models, the WG-2 and WG-2 GPS. The WG-2 is built around a 16MP back-illuminated CMOS sensor, allowing 1080p30 Full HD movies to be captured. Both versions build on Pentax's macro light design by adding an extra LED for illuminating objects close to the lens, they also feature upgraded 460k dot LCD screens. As before the WGs offer 28-140mm equivalent stabilized zooms. The GPS version features the latest GPS chip to improve acquisition times and reduce battery consumption.

Pentax will use the CP+ show in Japan to show a series of lenses and accessories it has in development, including a 50mm F1.8 for the K mount and a thin lens for the recently launched K-01. There are also super-telephoto lenses for the K mount, three additional lenses for the Q camera and a 90mm F2.8 for the 645D, many of which the company says will be available before the end of the year.

Pentax has announced tethering software to allow the 645D to be triggered from a computer and its images transferred across to a designated location. The Pentax Image Transmitter software, available for both Mac and Windows, doesn't allow any other camera control over the camera but is still likely to broaden the camera's appeal for studio work. It will be available from March 2012 at a recommended price of $199.99.

We've managed to get a bit more information about the Nikon D800E and have had a little longer to prepare our side-by-side comparison images, so have updated our preview. Nikon has given us more detail about how the D800E cancels-out the effect of its optical low-pass filter and we're now able to show how the D800 compares to the D700 and Canon EOS 5D Mark II. Click here to read our updated preview.

Canon has released three EF lenses, including an updated 24-70mm F2.8 II USM. The latest version features what is promised to be a more durable body, despite being a little smaller. In addition to this high-end full-frame standard zoom, there are completely redesigned semi-fast 24mm  and 28mm F2.8 primes, both of which feature USM focus motors and image stabilization. Ultimately, the most interesting thing about these launches is the fact that Canon feels the need to update various full-frame lenses, almost as if something likely to test the quality of its existing versions was in the offing.

Canon has launched the ELPH 530 HS and ELPH 320 HS, Wi-Fi and touchscreen versions of its recently released style compacts. The cameras, sold as the IXUS 510 HS and IXUS 240 HS respectively outside North America, have several different ways to allow wireless sharing to home networks, smartphones or the internet. The ELPH 320 HS, like its non-Wi-Fi  ELPH 110 HS brother, is a 16MP camera while the smaller ELPH 530 HS uses a 10MP section of the same 16MP sensor. The 530 HS uses Micro SD but this is less problematic, thanks to its wireless capabilities.