Thoughts on Auto ISO

I'm often asked by workshop participants about Auto ISO. Frankly I've had an up and down relationship to it. When the feature first came out it was much too limited for serious use. So after a little experimenting I wrote it off. But then

it was upgraded in newer cameras to be much more flexible. Now you can set both the ISO and the minimum desired shutter speed. This makes it a very useful feature for use in mixed and fading light conditions when you need to be sure to capture the action.

Unfortunately there is still one hurdle the designers can't overcome--reading my mind. When I put the camera on a tripod to take a scenic I'll often be looking for a small aperture to provide maximum Depth of Field and Auto ISO happily cranks my ISO up to the maximum I've allowed to try and protect the "action." The harm in this is that the high ISO will give me a less than optimal finished image.

So I do need to remember to turn off Auto ISO when I switch to shooting landscapes (or make sure I use a different camera). But other than that it's a feature worth re-visiting. I'll try to post some more specifics on how I use it and of course reader comments are welcomed.--David

 

Zambian Black Rhinos
Yellow-billed Kite with Stolen Meat
Wide open only the bowl we focused on is in focus
Victoria Falls in the Dry Season from the Zimbabwe Side
Vermillion Flycatcher
Venice Canvas
Varied Bunting
Varied Bunting
Twenty mule team Borax Wagon lit by Flashlight
Tent Interior from our African Photo Safari
Tent at Little Vumbura Camp
Team 1700 in the Pits
Swimmers in the Hot Pool on top of VIctoria Falls
Stopped-down we get much more Depth of Focus
Stopped-down we get much more Depth of Focus
Sp_CastiSB09_MercyB_0036.JPG
Spyder3 Print Help System
Southeast Asia Photo Safari Map
San Francisco Firefighter on a Rescue Rope
s3 -- Adult Male Lion Portrait -- Tack Sharp
s2 -- Lion Cub Approaching -- Wishful Thinking
s1 -- Lion Cub on Termite Mound -- Sharp
Pyrrhuloxia from South Texas Photo Safari
Pr_SpyderCube_0006.jpg
Pair of Crested Caracara
Painting rendered with Colorchecker Passport Generated Profile
Painting rendered with Adobe Camera Standard Profile
Original Raw file of Leopard Shot
Original Gray Hooded Kingfisher Image
Organic Lavendar Farm Harvesting their Crop
Organic Farmers Harvest Lavendar in Northern Michigan
Okavango Delta at Sunrise
Okavango Delta at Sunrise
Object of Focus Should be Tack Sharp
Niagra Falls American Side Falls Original Poorly Lit Image
Monk seeking Alms pre-dawn
May 2011 Safari Locations Map
Male Impala Leaping
Male Bobwhite Quail
Local Flower Arrangement
Leopard After Sunset
Kodachrome 64 Film
Joe McNally readying a San Francisco "Portrait of a Hero" Firefighter Shot
Interior Image showing a mix of natural light and interior light shot at an amazing ISO 1600. No post-processing performed.
Imageprint 8 User Interface
Imageprint 8 Spoolface
Imageprint 8 Color Correction
Historic Woodside Stores, Nikon D700 HDR
Gray Hooded Kingfisher Enhanced with Viveza 2
Grand Canyon North Rim looking at Transept Canyon
Grand Canyon North Rim
Goldfinch on Twig Perch
Game-winning slide!
Female Leopard Examining our Safari Truck
Female Leopard Examining our Safari Truck
Ev_Gatorbotics09_SVR_0014.jpg
Ducks Unlimited comes to Chicago
DOF Test Setup
Dickcissel portrait on twig
Dickcissel Looking but with Feet Hidden
David puts the Lowepro X200 into an overhead compartment
Datacolor EZ Target
Crowned Cranes at High ISO using Adobe Standard Profile
Concert Photo taken at night--showing Low Noise of Fujifilm F200EXR
Canon EOS Digital Rebel T2i Product Shot
Bobwhite Caught Mid-step
Black-chinned Hummingbirds at Feeder
Bi_BkSKte_1049.jpg
Bird Photo Blind Setup
beerandy
Barn Owl "owlets" taken in the near dark inside an un-used deer stand. No flash was used.
Bags Loaded Ready for Travel
Alaskan Brown Bear Cub by Glen Cheriton
Alaskan Brown Bear Clamming by Betty Hoyt
African Wild Dogs Fighting over Food / Original Color Version
African Wild Dogs Fighting over Food / Black and White
Adobe Lightroom Logo
@Trip Screenshot

Comments

ISO AUTO impact

David,

Part of the solution on how to deal with AUTO ISO is to understand what happens in the camera when it is switched on. As I did not understood it and each time got fooled by my camera I did a kind of an investment to get a better understanding. For those who are strugly the same, below are my findings. Note that this is based on my D40 which allow to set max SPEED and max ISO as part of ISO AUTO.

did investigate how ISO Auto works for each of the exposure programs. These are my findings. Just like to share my finding with as I’m not 100% sure your description and my findings are the same. By the way, this is based on ISO Auto on a D40.

“P” PROGRAM:

Camera will set both speed and aperture searching for best combination based on build in EV/LV logic / matrix. When the camera  finds it is not possible within that boundary it will adjust the ISO value and SPEED value taking care of the selected MAX ISO value and MAX shutter time. When it is still not able to reach a good exposure within these boundaries, than it will adjust speed outside the MAX time selected in ISO AUTO.

 “A” PROGRAM:

Aperture set by user. Camera will first adjust shutterspeed till MAX speed is reach. When that is not enough than it will adjust ISO till MAX ISO is reach. If still not able to get a good exposure, the camera will adjust the shutterspeed beyond the set MAX shutterspeed in ISO AUTO.

 “S” PROGRAM

Speed set by user. Camera will adjust first ISO till it reach MAX ISO. If that is not enough than camera will adjust Aperture to max possible (limited by lens used). If that doesn’t work, than ISO will be adjusted beyond selected MAX ISO value.

 “M” PROGRAM:

User set both speed and aperture. This is a bit difficult to explain. Assume a scene is best exposured by 1/60, f5.6 and ISO 200. Suppose you want to “under exposure”. So you turn the wheel and it looks like nothing changes as the exposure meter remains in the middle. It looks like as something did change: the camera have changed it’s ISO setting. It will do this till it reach the selected MAX ISO value. Only than, the meter will start indicate an under exposure.

  1. CONCLUSION: ISO AUTO in combination with “M” is not an ideal combination as you think you control the camera but there is a secret in the background which you have no control over other than switching it off. It is also dangerous when using AUTO ISO in combination with M and manual flash. Due to the variable ISO your flash settings will be incorrect.

It would be great when NIKON add an menu option allowing to switch ISO AUTO off when selecting "M". At least that would avoid a lot of issues around ISO AUTO.

Kind regards,

Hans

Hans, thanks for doing all

Hans, thanks for doing all the homework and passing along the detailed results. I agree that the combination of Manual & Auto ISO is a little odd.--David

 

--David Cardinal Cardinal Photo

Auto ISO?

Good point about landscapes... made that mistake once! However, I do like to set the range that my D300 will auto-iso between. This is very useful. Of course, you have to remember to set it. And, my choices vary with what I am shooting. But, that's the price to pay for not shooting AUTO everything!! 

Custom Bank for AutoISO?

Perhaps this is a really good case for setting up different custom banks for Landscape & Action. I've actually been a bit of a luddite in terms of using custom banks but maybe this feature will push me over the edge.

Of course then you need to remember to switch banks:-)

 

--David Cardinal Cardinal Photo